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Love Movie Youtube Rating: 5,0/5 9212 votes

On Desktops, you can also press 1 to 6 to add the Hindi word. Microsoft hindi input tool for windows 10 64 bit. To use open the app, press space bar. In the popup that comes input in English. The app will provide corresponding Hindi options. On phones/tablets just tap on the options to add them.

Google quietly began rolling out the youtube.com/movies section in 2011. Since then, its library of titles for rent, purchase, or streaming has grown considerably, adding up to more movies than you could watch in a lifetime. If you don’t want to pay for a streaming service like Netflix or HBO, you can view some free movies on YouTube, but it’s tough to find stuff that isn’t illegally uploaded or poor quality.

Further reading

Many of the movies that are available are documentaries, campy horror or action flicks, and older titles from Hollywood’s Golden Age, and it’s not easy to make an educated choice when you’re faced with something you’ve probably never heard of. In most cases, the highest-quality films are also supported by ads, so you’ll need to deal with a few commercials for the best video experience.

In order to help save you some time in your search, we’ve sifted through the site to bring you this list of the best full-length — and, of course, free — movies on YouTube.

Canadian Bacon

The final film of acclaimed comedic actor John Candy, Canadian Bacon is also the only non-documentary movie directed by Michael Moore. The film chronicles the lead-up to a war between the U.S. and Canada that’s drummed up by an American president looking to bolster his polling numbers. Along with Candy, the ensemble cast include Alan Alda as the president, as well as Bill Nunn, Kevin J. O’Connor, Rhea Perlman, Kevin Pollak, G. D. Spradlin, and Rip Torn in supporting roles. Dan Aykroyd, Steven Wright, and various other familiar faces make cameos in the film, which satirizes the relationship between the U.S. and its northern neighbor.

The Terminator

In 2029, as human forces battle for survival against an army of evil machines, the malevolent A.I. known as Skynet decides to stop the fight before it even begins. And so, Skynet sends an assassin robot back to 1984 to kill Sarah Connor, mother of the human savior John Connor, before John is born. Unfortunately, Skynet didn’t plan for Kyle Reese, a freedom fighter who’s more than able to handle anything that the Terminator throws at him, or Sarah, who’s a lot tougher than she seems.

Before you see Terminator: Dark Fate this November, catch up on the film that transformed Arnold Schwarzenegger from a buff camp icon into a legitimate action star, established James Cameron as one of the best sci-fi filmmakers on the planet, and spawned countless catchphrases. Trust us: It still holds up.

Bull Durham

The baseball season is in full swing, which makes it a great time to revisit Kevin Costner’s charming 1988 romantic comedy. In Bull Durham, Costner plays “Crash” Davis, a minor league veteran who returns to the game to help the talented but rough pitching prospect Ebby LaLoosh (Tim Robbins) reach his full potential. There’s just one problem: Susan Sarandon’s Annie has also pegged Ebby as her latest project — i.e., summer fling — even though Crash is clearly her better match.

Bull Durham is one part love triangle and one part tribute to the hard and relentless grind that minor league baseball players face year after year, and while it’s not as beloved as Field of Dreams in the pantheon of baseball flicks, it’s the perfect way to spend a breezy summer evening — provided that you can’t make your way to the ballpark for real, of course.

With Great Power: The Stan Lee Story

With the recent passing of comics icon Stan Lee, there is ample reason to get reacquainted with the man who co-created Spider-Man, Iron Man, The Avengers, Hulk, the X-Men, and so many other world-famous superheroes and their supporting cast of colorful characters. This 2010 documentary chronicled the life and career of the man who helped make Marvel Comics a household name and changed the face of the comics world for generations. While the film offers an origin story of sorts for Stan “The Man” Lee, it also provides a touching look at his life away from all of the superheroes and larger-than-life adventures, as both doting husband and father.

Dirty Rotten Scoundrels

Steve Martin and Michael Caine play two very different types of con men locked in a competition to swindle an heiress out of $50,000 in this 1988 comedy directed by Frank Oz. While the premise of the film certainly isn’t groundbreaking, the performances of Martin and Caine in their roles as competing tricksters has made this film a comedy classic, with Martin at his silly best in the role of a conniving goofball, while Caine’s character employs more refined, cultured means to separate his marks from their money.

Set amid the beauty of the French Riviera, the film earned Caine a Golden Globe Award nomination, and later inspired a successful Broadway musical of the same name starring John Lithgow and Norbert Leo Butz.

Better Off Dead

Although it was panned when it initially hit theaters, John Cusack’s 1985 teen comedy Better Off Dead went on to become a cult classic due to its famously weird tone, which mixed traditional teen coming-of-age laughs with dark humor (the title comes from the lead character’s desire to kill himself after a breakup) and some bizarre animation sequences created by director Savage Steve Holland. Cusack himself wasn’t a fan of the final cut of the film, but eventually softened his criticism as the years went by and the film became a cult hit.

Along with Cusack in the role of suicidal teenager Lane Myer, the cast of Better Off Dead also includes Curtis Armstrong (“Booger” in Revenge of the Nerds) as Lane’s best friend, Charles De Mar.

Fists of Fury (aka The Big Boss)

Bruce Lee’s first major film, Fists of Fury (titled The Big Boss outside the U.S.) was the movie that first earned him the attention of Hollywood and much of Asia, showcasing his formidable martial arts skills and seemingly boundless charisma. The feature casts Lee as Cheng Chao-an, a young man who travels from China to Thailand to work in an ice factory with his cousins. A vow he made to his mother never to fight again is soon tested, however, when a drug trafficking operation based in the factory puts his cousins in danger.

A surprise hit around the world, Fists of Fury became the highest-grossing film in Hong Kong’s history when it was released (only to be surpassed by Lee’s next film), as well as a bona fide box-office success in U.S. theaters. The initial cut of the film was brutal even by today’s standards, but it’s been cut significantly over time for domestic and international audiences. The version of the film on YouTube is one of the more tame cuts, but it’s still a phenomenal showcase of everything that made Lee a cinematic icon.

The General

While Charlie Chaplin remains a household name more than 40 years after his death, Buster Keaton is an oft-overlooked film pioneer, and one of the first true silent film stars. The General met mixed reviews and poor box office returns upon release in 1926, but has since become regarded as Keaton’s greatest film and an all-time classic.

Adapted from Union soldier William Pittenger’s memoir, The Great Locomotive Chase, The General follows a Confederate train engineer forced into action after the father of his love interest (Marion Mack) is wounded in battle. The film includes two train chase scenes that proved to be the most expensive stunts ever in a silent movie, and features some impressive historical detail, all things considered.

Kung Fury

A rare example of a successful Kickstarter film, Kung Fury promised its backers a spectacular homage to ’80s action films, and it delivered. Director David Sandberg also plays the lead, Kung Fury, a detective who gained superhuman fighting abilities after being simultaneously struck by a bolt of lightning and bitten by a cobra. Kung Fury uses his supreme combat skills to clean up the filthy streets of Miami, but faces his greatest challenge when no less a villain than Adolf Hitler (Jorma Taccone) arrives, intent on conquering all of time through his own mastery of kung fu.

If it’s not apparent already, Kung Fury is a film that makes no attempts at seriousness. That’s not all, either; a full-length sequel is on its way, with Michael Fassbender, Arnold Schwarzenegger, and David Hasselhoff involved in varying capacities. Yeah.

Reefer Madness

If you’ve never heard of Reefer Madness, you might be living under a rock. No matter your views on marijuana use, this absurd 1936 movie was made to “educate” young Americans on the dangers of drug abuse, but really it’s a propaganda film produced by a church group and distributed by notorious exploitation producer Dwain Esper.

In the film, pot abuse drives several young adults to violence, murder, and (of course) madness. At the end, Dr. Alfred Carroll (Josef Forte) breaks the fourth wall (uh, spoilers?) to warn viewers that their children might die after consuming marijuana. After a sort of reappearance in the 1970s, Reefer Madness took on a new life as a parody film for supporters of drug reform and cannabis legalization.

Night of the Living Dead

A seminal entry for American horror cinema, George A. Romero’s classic follows seven people who find themselves trapped in Pennsylvania as the terrifying walking dead surround them. They have to try to survive without understanding the terror that lurks outside. The movie has been noted as the first zombie film, and its influences can be seen in everything from 28 Days Later to Shaun of the Dead. Romero’s debut — he wrote, directed, edited, and acted in the film — made him into a superstar,quickly revolutionizing the genre on a budget of a mere $114,000.

Free to Play: The Movie

More than a year after the Overwatch League was founded, esports are still carving out a niche and establishing itself as a legitimate form of entertainment. Adobe photoshop free download. Those who don’t game on a competitive level might not understand the level of dedication required for such endeavors, not to mention the physical and mental tolls placed on young players who train for hours on end each day.

Free to Play, a documentary from game developer/distributor Valve Entertainment, focuses on two athletes and one coach who are competing in the 2011 International Defense of the Ancients (DotA) tournament. It explores the stresses the players are forced to deal with, and deftly compares the struggles of esports athletes to those of traditional athletes.

His Girl Friday

One of the best second-wave feminist films, His Girl Friday is a hilarious farce with electric chemistry between stars Cary Grant and Rosalind Russell. Hildy (Russell) may be newspaper editor Burns’ (Grant) protégée (and ex-wife), but when she announces to Burns that she’s leaving the business to get married, he concocts a scheme to delay her departure. Hijinks ensue and Hildy, not quite as unwitting a pawn in Burns’ game as he thinks, shows that the student has surpassed the master — while discovering that the student might also still be in love with the master.

Nosferatu (1922)

This silent adaptation of Bram Stoker’s Dracula is often regarded as one of the most influential films in the history of cinema. After failing to acquire the proper rights to Dracula, German film studio Prana Film rebranded the legendary vampire as Count Orlok, and resorted to calling vampires “Nosferatu.” While it won’t scare the pants off you, director F.W. Murnau perfectly tells the story, harnessing the haunting atmosphere associated with German Impressionist cinema to great effect (in Nosferatu, you can see the influences of such seminal works as The Cabinet of Dr. Caligari). Production designer Albin Grau birthed the film’s concept after speaking with a Serbian farmer who believed his father was one of the undead.

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Directed by

Gaspar Noé

Writing Credits

Gaspar Noé.. (written by)

Cast (in credits order)

Aomi Muyock .. Electra
Karl Glusman .. Murphy
Klara Kristin .. Omi
Ugo Fox .. Gaspar
Juan Saavedra .. Julio
Gaspar Noé .. Noe (as Aron Pages)
Isabelle Nicou .. Nora / Electra's mother
Benoît Debie .. Yuyo
Vincent Maraval .. Lieutenant Castel
Déborah Révy .. Paula (as Deborah Revy)
Xamira Zuloaga .. Lucile
Stella Rocha .. Mami
Omaima S. .. Victoire

Produced by

Serge Catoire.. line producer
Brahim Chioua.. producer
Genevieve Lemal.. producer
Vincent Maraval.. producer
Sophie Mas.. executive producer
Gaspar Noé.. producer
Lourenço Sant' Anna.. executive producer (as Lourenço Sant'Anna) / producer (as Lourenço Sant'Anna)
Rodrigo Teixeira.. producer
Edouard Weil.. producer

Cinematography by

Benoît Debie

Film Editing by

Denis Bedlow
Gaspar Noé

Casting By

Eugenie Lavieille

Production Design by

Samantha Benne

Art Direction by

Virginie Verdeaux

Makeup Department

Clarisse Domine.. key makeup artist
David Scherer.. special makeup effects artist
Céline Vh.. hair stylist

Production Management

Fabrice Bousba.. unit production manager
Marilyne Maia.. production manager: Scope Pictures
Pascal Pons.. production administrator
Remi Pradinas.. production manager
Arthur Ragons.. assistant unit manager
Laurent Villatte.. assistant production manager

Second Unit Director or Assistant Director

Angèle Buffin.. trainee assistant director
Céline Clézardin.. second assistant director
Élodie Gaiddon.. first assistant director

Art Department

Lucile Bossuet-Jacquet.. assistant property master
Camille Desombre.. props buyer
Sarah Fauguet.. head painter
Emmanuel Galtier.. property master

Sound Department

Marco Casanova.. sound editor
Jérôme Gonthier.. sound editor
Gilles Marsalet.. foley artist
Josselin Panchout.. boom operator
Ken Yasumoto.. re-recording mixer / sound mixer / supervising sound editor

Visual Effects by

Xavier Allard.. visual effects artist: BUF
Jean-Bastien Bellot.. digital compositor
Charlotte Bosquet.. visual effects coordinator
Judith Bruneau.. visual effects producer
Pierre Buffin.. senior visual effects supervisor: BUF
Julien Champroux.. vfx editor
Estelle Chesneau.. digital compositor
Yoann Copinet.. vfx editor
Giorgia Graziadio.. digital compositor
Nicolas Kermel.. digital compositor
Alexandre Lerouge.. visual effects artist: BUF
Anthony Lyant.. visual effects supervisor
Thibault Martegani.. digital compositor
Marguerite Moreau de Lizoreux.. head of production: BUF
Geoffrey Niquet.. visual effects supervisor: BUF
Laureline Silan.. lead compositor
Olivier Veau.. digital compositor

Camera and Electrical Department

Philippe Bordelais.. steadicam operator
Eric Catelan.. steadicam operator
Christopher Franey.. rigging assistant chief lighting technician
Lazare Pedron.. focus puller
Rémy Pigeard.. best boy electric
Marie Queinec.. second assistant camera
Bruno Raquillet.. electrician
Brendan Spinec.. electrician
Marc Stef.. electrician
Xavier Thesnon-Hily.. assistant camera / assistant camera: additional
Benoît Theunissen.. steadicam operator (second part shooting)
Emmanuel Trousse.. gaffer (additional photography - uncredited) / key grip

Costume and Wardrobe Department

Emmanuelle Pastre.. assistant costume designer

Editorial Department

Alexander Akoka.. head of post-production
Elie Akoka.. additional colorist
Adélaïde Basson.. post-production assistant
Marc Boucrot.. colorist
Clarisse Cornély.. post-production coordinator
Caíque de Souza.. additional colorist / stereoscopic artist
Etienne Moinet Garcia.. i/o operator
Frédéric Geffroy.. Technicien Image
Kévin Laperrière.. assistant editor
Amanda Nohrborg.. technical assistant editor
Elie Tisné.. colorist assistant
Romain Verney.. technical assistant editor

Location Management

Fabrice Bousba.. location manager
Isabelle Hervé.. location production assistant

Music Department

Steve Bouyer.. music supervisor assistant
Pascal Mayer.. music supervisor

Other crew

Patrice Abaul.. stereographer
Floriane Boissieras.. production assistant
Thierry Pouffary.. stereographer
Isabelle Sauvanon.. press
Agnès Schmouker.. finance director
Judd Taylor.. acquisitions: Alchemy (uncredited)

Thanks

William Abello.. the director thanks
Philippe Akoka.. the producers wish to thank
Emad Aleebrahim-Dehkordi.. the director thanks (as Emad Dehkordi)
Anouchka Alsif.. the director thanks
Agnès B... the director thanks
Stephen Bessac.. the director thanks
Pierre Buffin.. the producers wish to thank
Jacques Cardon.. the producers wish to thank
John Carpenter.. the director thanks
Alain Cavalier.. the director thanks
Rodolphe Chabrier.. the producers wish to thank
Coralie.. the director thanks (as Coralie Trin-Thi)
Jean-Louis Costes.. the director thanks
Virginie Danel.. the producers wish to thank
Stijn De Block.. the producers wish to thank
Benoit Delori.. the producers wish to thank
Philippe Deltour.. the producers wish to thank
Stéphane Derdérian.. the director thanks
Josephine Derobe.. the producers wish to thank
Sylvie Desauve.. the producers wish to thank
Virginie Despentes.. the director thanks
Jean Douat.. the producers wish to thank (as Jean Lic Douat)
Sal Genoa.. the director thanks
Nan Goldin.. the director thanks
Lucile Hadzihalilovic.. the director thanks
Laurent Hassid.. the producers wish to thank
Magali Jammet.. the producers wish to thank
Ambre Kiussu.. the director thanks
Sylvia Laj.. the producers wish to thank
Philippe Lhomme.. the producers wish to thank
Pamella Castel Love.. the director thanks
Laurent Lufroy.. the director thanks
David Lynch.. the director thanks
Mickael Marchal.. the producers wish to thank
Nora Murphy.. the director thanks
Luis Felipe Noé.. the director thanks
Alexander Oberink.. the producers wish to thank
Hugo Rubini.. the producers wish to thank
Martin Scorsese.. the director thanks
Stephane Sednaoui.. the director thanks
Michael Smadja.. the director thanks
Peter Sotos.. the director thanks
Eric Vandenkerckhoven.. the producers wish to thank
Kôji Wakamatsu.. the director thanks
Nicolas Winding Refn.. the director thanks
This entry was posted on 5/8/2019.