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Label: Bad Boy Records

Ready to Die brought the Notorious B.I.G. into the game on the shoulders of a pantheon of early '90s hip-hop production greats, including Easy Moe Bee, DJ Premier, and Lord Finesse, but throughout the record, on songs like Puff and Trackmaster Poke's 'Respect,' you can hear the slick Bad Boy sound just waiting to happen. Big's sophomore blitz Life After Death hit right as Puff's pop rap revolution planted its flag on the era, and stands as one of the defining documents of the period.

Big delivers rhyme clinic after rhyme clinic, spitting end-on-end quotables and inviting a who's who of late-'90s rap luminaries onto tracks only to blow them out of the water. (Ask any New Yorker how the second verse of 'Notorious Thugs' goes.) With a radio-ready sheen provided by Puff and his army of beat-making mercenaries (Mad Rapper Deric Angelettie, Love & Hip-Hop villain Stevie J, R&B maestro Chucky Thompson, and more), Life After Death remade New York mainstream hip-hop in its own image, while also incorporating sounds from the West ('Going Back to Cali'), Midwest ('Notorious Thugs'), old school (the D.M.C. assisted 'My Downfall') and R&B ('Fuck You Tonight' with Kells, 'Sky's the Limit' with 112) in the process.

Big delivers rhyme clinic after rhyme clinic, spitting end-on-end quotable and inviting a who's who of late-'90s rap luminaries onto tracks only to blow them out of the water.

The singles were murder: 'Hypnotize' is immaculate anywhere you drop the needle, and the flows on 'Mo Money Mo Problems' are so tight heads don't have time to complain about the chunky, obvious Diana Ross sample. The concept songs simmer too: 'I Got a Story to Tell' more than lives up to its promise on a whip-smart tale of sex and betrayal, while 'Ten Crack Commandments' dispenses prophet-like wisdom for the dope boys in the audience. This is to say nothing about the many Biggie slayed with his subliminals.

Life After Death would've extended Big's reign as New York's ruler if he'd only lived to see it. He finished the record but passed after a drive-by in Cali before its release. Listening to the album, it's painful how much it teems with the reality of death. Like Pac on All Eyez on Me's 'Heaven Ain't Hard to Find,' Big closed his timeless double album with 'You're Nobody (Til Somebody Kills You).' —Craig Jenkins